API - RDF Examples

Introduction

The RDF formatted data presented by this Beta API is currently under development, this page presents some examples of how the data will be formatted.

The RDF formatted data is currently subject to changes and should only be used for testing purposes.

Object Details: 000-01D6-0000

SubjectPredicateObject
000-01D6-0000cc:licencehttps://creativecommons.org/licenses/by-nc-nd/4.0/
000-01D6-0000rdf:typecrm:E22.Man-Made Object
000-01D6-0000rdf:labelThe Toilet of Venus ('The Rokeby Venus')@en
000-01D6-0000rdfs:commentThis is the only surviving example of a female nude by Velázquez. The subject was rare in Spain because it met with the disapproval of the Church.Venus, the goddess of Love, was the most beautiful of the goddesses, and was regarded as a personification of female beauty. She is shown here with her son Cupid, who holds up a mirror for her to look both at herself and at the viewer.'The Rokeby Venus' is first recorded in June 1651 in the collection of the Marqués del Carpio, son of the First Minister of Spain. It was probably made for the Marqués and was presumably displayed privately, thus avoiding the censure of the Spanish Inquisition. In the Carpio collection, Velázquez's painting was paired with a 16th-century Venetian picture of a naked nymph in a landscape seen from the front. The painting is known as 'The Rokeby Venus' because it was in the Morritt Collection at Rokeby Park, now in County Durham, before its acquisition by the Gallery. @en
000-01D6-0000crm:P48.has preferred identifier_:id_000-01D6-0000
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_:id_000-01D6-0000rdf:labelNG2057@en
_:id_000-01D6-0000crm:P2.has type00A-00DL-0000
000-01D6-0000crm:P50.has current keeper001-02VZ-0000
001-02VZ-0000rdf:typecrm:E39.Actor
001-02VZ-0000rdf:labelThe National Gallery (London)@en
001-02VZ-0000crm:P2.has type00A-00DO-0000
000-01D6-0000crm:P55.has current location006-001M-0000
000-01D6-0000crm:P102.has title00C-01C7-0000
00C-01C7-0000rdf:typecrm:E35.Title
00C-01C7-0000rdf:labelThe Toilet of Venus ('The Rokeby Venus')@en
00C-01C7-0000crm:P2.has type00A-00DQ-0000
000-01D6-0000crm:P102.has title00C-01C7-0000
00C-01C7-0000rdf:typecrm:E35.Title
00C-01C7-0000rdf:labelThe Toilet of Venus ('The Rokeby Venus')@en
00C-01C7-0000crm:P2.has type00A-00DP-0000
000-01D6-0000crm:P43.has dimension_:width_000-01D6-0000
_:width_000-01D6-0000rdf:typecrm:E54.Dimension
_:width_000-01D6-0000crm:P90.has value177.000 # xsd:decimal
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000-01D6-0000crm:P43.has dimension_:height_000-01D6-0000
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_:height_000-01D6-0000crm:P90.has value122.500 # xsd:decimal
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002-01D6-0000crm:P108.has produced000-01D6-0000
002-01D6-0000rdf:typecrm:E12.Production
002-01D6-0000crm:P81.ongoing throughout_:productionTimeSpan000-01D6-0000
002-01D6-0000rdf:typecrm:E12.Production
_:productionTimeSpan000-01D6-0000rdf:typecrm:E61.Time Primitive
_:productionTimeSpan000-01D6-0000rdf:label1647-51@en
002-01D6-0000crm:P32.used general technique00A-00AB-0000
002-01D6-0000crm:P4.has time-span_:date_000-01D6-0000
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Artist Details: 001-0145-0000

SubjectPredicateObject
001-0145-0000cc:licencehttps://creativecommons.org/licenses/by-nc-nd/4.0/
001-0145-0000rdf:typecrm:E39.Actor
001-0145-0000rdf:labelDuccio@en
001-0145-0000rdfs:commentDuccio was one of the most important painters of 14th-century Italy. He ran a large workshop which shaped generations of Sienese artists. His pupils were influential on Florentine art. His greatest work was the double-sided altarpiece, the 'Maestà', made between 1308-11. The Gallery's 'The Annunciation', 'Jesus opens the Eyes of a Man born Blind' and 'The Transfiguration' are fragments from it. Duccio's date of birth is not known but he was active in Siena by 1278, and spent most of his working life there. He is unusual among medieval artists for being well documented. Duccio's art is based on Byzantine sources, but was deeply influenced by the sculpture of the Pisani and by French Gothic metalwork. His work is both decorative in the use of line, colour and pattern, and highly expressive. He is less interested in volume, than his younger contemporary Giotto. 'The Maestà' was one of the largest and most complex altarpieces ever produced. Its influence can be seen in the predella panels for an altarpiece by the Sienese painter Ugolino, which imitates the treatment of subjects in the 'Maestà'.@en
001-0145-0000crm:P48.has preferred identifier_:001-0145-0000
_:001-0145-0000rdf:typecrm:E82.Actor Appellation
_:001-0145-0000rdf:labelDuccio@en
001-0145-0000crm:P48.has preferred identifier_:existence001-0145-0000
_:existence001-0145-0000rdf:typecrm:E5.Event
_:existence001-0145-0000rdf:labelExistence of Duccio@en
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_:existenceTimeSpan001-0145-0000rdf:typecrm:E61.Time Primitive
_:existenceTimeSpan001-0145-0000rdf:labelactive 1278; died 1319@en
_:activityof001-0145-0000crm:P14.carried out by001-0145-0000
_:activityof001-0145-0000rdf:typeE7.Activity
_:activityof001-0145-0000rdf:labelActivity of Duccio@en
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_:_001-0145-0000activerdf:label1278@en
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002-0DH4-0000crm:P100.was death of001-0145-0000
002-0DH4-0000rdf:typeE69.Death
002-0DH4-0000rdf:labelDeath of Duccio@en
002-0DH4-0000crm:P4.has time-span_:Ducciodied
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_:_001-0145-0000diedrdf:label1319@en
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002-0DH4-0000crm:P98.brought into life001-0145-0000
002-0DH4-0000rdf:typeE67.Birth
002-0DH4-0000rdf:labelBirth of Duccio@en
002-0DH4-0000crm:P4.has time-span_:Duccioborn
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_:_001-0145-0000bornrdf:labelBefore 1260s@en
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Title Details: 00C-01B2-0000

SubjectPredicateObject
00C-01B2-0000cc:licencehttps://creativecommons.org/licenses/by-nc-nd/4.0/
00C-01B2-0000rdf:typecrm:E35.Title
00C-01B2-0000rdf:labelPortrait of a Lady@en
00C-01B2-0000rdfs:commentNational Gallery painting title@en
000-01BY-0000crm:P102.has title00C-01B2-0000
000-02OM-0000crm:P102.has title00C-01B2-0000
000-02S5-0000crm:P102.has title00C-01B2-0000
000-02YP-0000crm:P102.has title00C-01B2-0000
000-03H0-0000crm:P102.has title00C-01B2-0000
000-03HO-0000crm:P102.has title00C-01B2-0000
000-03K5-0000crm:P102.has title00C-01B2-0000
000-03SU-0000crm:P102.has title00C-01B2-0000
000-03VZ-0000crm:P102.has title00C-01B2-0000
000-04HP-0000crm:P102.has title00C-01B2-0000
000-04JN-0000crm:P102.has title00C-01B2-0000
000-04L8-0000crm:P102.has title00C-01B2-0000
000-04P0-0000crm:P102.has title00C-01B2-0000
00A-0001-0000crm:P67.refers to00C-01B2-0000
00A-0002-0000crm:P67.refers to00C-01B2-0000
00A-0003-0000crm:P67.refers to00C-01B2-0000
00A-000H-0000crm:P67.refers to00C-01B2-0000
00A-000L-0000crm:P67.refers to00C-01B2-0000
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00C-01B2-0000crm:P4.has time-span_:timespan_00C-01B2-0000
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Room Details: 006-001M-0000

SubjectPredicateObject
006-001M-0000cc:licencehttps://creativecommons.org/licenses/by-nc-nd/4.0/
006-001M-0000rdf:typecrm:E53.Place
006-001M-0000rdf:labelRoom 30@en
006-001M-0000rdfs:commentSpanish painting flourished during the 17th century principally in the service of God and King. The evolution of a Catholic Counter-Reformation religiosity is revealed in a variety of powerful, individual styles. Not long after El Greco had portrayed the divine with ethereal idealisations of figures, space and light, Diego Velázquez and Francisco de Zurbarán turned to realism to represent the mystical. To make religion more personally relevant, they used naturalistic light to convey divine presence and they depicted the saints as ordinary people, with a vivid physicality and facial expressions. Taste changed after 1650, and Bartolomé Esteban Murillo appealed to popular piety with an ideal style of soft forms and colours, and a sweet and gentle mood. At the court of Philip IV, Velázquez transformed his style of earthy realism in order to express the dignity and splendour of the monarchy. He developed an elegant technique of artful brushwork that calls attention to itself and yet conveys compelling actuality when viewed from a distance. @en
006-001M-0000crm:P102.has title_:006-001M-0000title
_:006-001M-0000rdf:typecrm:E35.Title
_:006-001M-0000rdf:labelRoom 30@en
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006-001M-0000crm:P102.has title_:006-001M-0000subtitle
_:006-001M-0000subtitlerdf:typecrm:E35.Title
_:006-001M-0000subtitlerdf:labelSpain@en
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006-001M-0000crm:P89.falls within006-0033-0000
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Keyword Details: 00A-0063-0000

SubjectPredicateObject
00A-0063-0000cc:licencehttps://creativecommons.org/licenses/by-nc-nd/4.0/
00A-0063-0000rdf:typecrm:E28.Conceptual_Object
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00A-0063-0000rdfs:commentSubject: Blood@en
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